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'Uganda,' 'Job 1:21,' 'Trade' Among Winners at Visions du Réel Industry Awards

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Laura Poitras Backs Push Against Paramount-Warner Deal, Warns of U.S. Doc Funding Crisis

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Kelly Reichardt on Power, Hierarchy and Hubris in the U.S.: 'The American Story Keeps Repeating Itself'

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Jacqueline Zünd Explores Climate Inequality in 'Heat,' Premiering at Visions du Réel: 'I Found Dystopia in Real Life'

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John Wilson Challenged Himself to Find Humor From a Boring Topic: Concrete. Shooting 140 Hours Helped Him Escape a Personal and Professional Slump

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'American Doctor' Review: A Visceral Account of the War in Gaza Told Through the Eyes of Emergency Doctors

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'Landmarks' Review: Lucrecia Martel's First Documentary Reflects Potently on Land Theft and Indigenous Erasure

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'Newport & the Great Folk Dream' Review: A Rapturous Documentary Shows You Why the Newport Folk Festival Was Electric Even When It Was Acoustic

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'The History of Concrete' Review: John Wilson Constructs an Entire Film Around a Subject No One Cares About

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